Why io Arethusa?

The name comes from a cry. In Book V of Ovid's Metamorphoses, Arethusa tells the story of her own flight. Pursued by the river god Alpheus, she calls upon Diana, who hides her in a cloud. Unable to see her, Alpheus circles the place where she has disappeared and twice calls out her name: "Io Arethusa, io Arethusa!" Moments later, Arethusa dissolves into water, travels beneath the earth, and resurfaces as a spring on Ortygia, in Syracuse.

In Latin, io is an interjection of Greek origin (ἰώ), used to call, to invoke, or to give voice to intense emotion. In Alpheus's mouth, io Arethusa is an urgent summons: "O Arethusa!"

But to an Italian reader, io Arethusa opens onto another meaning: "I, Arethusa." The cry of the one who pursues her seems to become the voice of the one who escapes, transforms, and tells her own story.

And there is a third voice: ours. Io Arethusa is also the call we send out to her across the centuries, to come to know her. Arethusa has no original version. She lives in the poets' tales, in images, in rites, in the memory of places, and each time she is named she surfaces in a new form. To call her is to set out towards her, and to let each enquiry, each creation, become a way of answering that name.

Io Arethusa lives in the tension between these voices: a name being called, a figure finding her own voice, and a search that keeps calling her back.